The third chapter of great metaphysic Russian director from St Petersburg Konstantin Lopushanski's apocalyptic trilogy. The director himself called this one "The soviet apocalypse of the dying empire". This work is a real monument for Russian orthodoxy and old-believers. It gives brief vision of expression the post-soviet religion revival. It is somewhere the direct screening of the Gospel According to St. John.The story begins with the fact that the world is dead already. The water is coming very fast and nothing can be done to stop that process. So the post-soviet people are saving the last days hiding and going mad everywhere. The main character, played by Valeri Garkalin is in his 40s- loosing mind and trying to realize what is happening with the world. He finds out that some children have been left stuck in a school, that is sinking fast, as the water is coming from everywhere. We can see the people swimming on boats, on furniture, no sun at all. He wants to do something good before he dies. He can not realize, that most of people have already lost their humanity and do not care for children or anybody any more. So the whole film we see that the main character walks around governmental people, who still have helicopters and cars and asks them to help to save the dying children. But nobody cares . Everybody suspects him to have some personal plan to save himself. He sees no light in the eyes of everyone he meets. All of them are just scared freaks, who are still try to look important. We can see Mikhail Gorbachev, who works as a room-cleaner here, but he turns out to be not an ex USSR chairman, but his double. Nobody hears the main character-and the time is running. The water is coming , the dead are coming back to life. Everybody is unable to change the God 's will to punish heartless and selfish humans. Finally some governmental people offer the main character to be sort of messiah and speak aloud to the crowd of freaks and to the God directly. While he is doing that, the school vanishes under water. Nobody is saved. But some Jewish-looking cameraman are still recording video. And the main character looks like fool after all. He saves neither children nor himself. And that makes sense . The whole situation looks like a well-planned ritual of human sacrifice. Lopushanski is in his best. The film is very grotesque, pure critical, very deep and literal dialogues. Most of the questions that were touched in this title are eternal. The director gives a chance for audiences to feel the brief of true orthodoxy here. As only cataclysms can awake the spiritual revival in the times of scientific atheism all around the world. When the film was made, the critics in Russia rejected it. They refused to show it on TV and the film was banned for many years. It is still very hard to find that title on DVD. Still it got some awards in Berlin Film festival 1995 and the same year in Sochi Kinotavr 1995 for the best production (The prize was given to the producer A.Golutva ). I personally had tears in my eyes while seeing a copy of Russkaya Symphonia. Very realistic vision of the upcoming future.

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宫崎骏的极致浪漫！！！战争也好，清洁妇的生活也好，魔法师的血战也好，空中的飞行也好，都浪漫到哭，神级审美！战争背景反战大主题讲述年轻人的抉择与抗争着重刻画女性的力量在战争中，没有幸存者，所有人都会变成怪物田园诗，很多地面工业黑烟+蓝色天空或狂野的对比哈尔（新一代魔法师）不是完美的人（臭美、头发颜色是染的、不爱整洁、乱糟糟、纤弱易爆炸、有点臭屁目中无人，自己不敢出面和国王抗争就让“老妈”去），但是面对战争有原则、敢抗争，被恶毒的怪物（秘密警察？）追捕，被战争利用，

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演员的表现也非常出色。特别是克里斯·派恩在扮演马尼菲科时，展现了一个既强大又充满慈爱的领袖形象。他的表演让观众忘记了这是一个特效电影，而是真正的演员技巧。

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在该剧中，桑杰既要面对持枪男子对疑似盗猎接头人的村民的抓捕，又要应对另一位男子声称自己是真正的森林公安。在这样的慌乱之中，真相逐渐浮出水面。

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初中到工作，从科学怪咖到结婚生子，生活大爆炸陪伴成长，中间放弃过，但当霍金去世时脑海中第一个想法是谢尔顿怎么办，他和艾米的婚礼会不会延期。谢尔顿是生活在同一个时间里另一个空间的朋友，他和他朋友们的趣事通过一个叫电视的媒介发给我。他会告诉我追逐梦想时的他是什么样的，要怎样才会讨人欢喜，特立独行会有许多快乐。他用他的生活经历告诉另一端的朋友生命最终回归虚无，过去的经历作用在现在的身上会成就怎样的未来。陪他一起笑，陪他一起傻，而有一天这个朋友说他要离开了，他早在言语中透漏自己累