The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)
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在这部作品中,我们看到了一个真实的社会。employees们各具特色,他们的故事,反映了社会中不同阶层人士的生活。主人公的努力,也让我们看到了职场人士的韧性与坚韧。
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该剧中的主人公陈妙,由周冬雨饰演,她是一名自媒体主编,因为一篇爆款文章而卷入了一系列意想不到的事件。她的合伙人何言和资本集团总裁岳鹏也被卷入其中,三人之间的关系和背后的故事引人入胜。
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本文首发于“看理想”。“虚构的作品叫出了事实的名称,事实的王国因此便土崩瓦解;因为虚构之物推翻了日常经验并揭示了其残缺不全和虚假之处。”——赫伯特·马尔库塞《单向度的人》年春节档,宁浩大胆赌了一把。和春节档应有的热闹喜庆团圆励志全部背道而驰,《红毯先生》虽打着“喜剧”的名号,但更多是荒诞的、冷峻的、沉闷的,甚至有些孤独和悲哀。如果要拿一部宁浩过去的作品和《红毯先生》相比,“疯狂三部曲”绝不是距离最近的坐标。他的处女作《香火》在遥远的年向当下招手——无论视听
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这部作品通过讲述张洪的攀登经历,展现了一个普通人在面对困难和挑战时所表现出的顽强和毅力,同时也反映了中国大地上无声的贫困和不公,以及那些为了生存而奋斗的人们。